Bernard clean is, without a doubt, the outstrip known and most prominent of British studio throwers. His friendship with Shoji Hamada and his shuttling between Japan and St Ives nuclear number 18 wholesome documented. Born in Hong Kong; he was taken about this instant to Japan by his grandparents. He came to England at the eon of decennium for schooling. After a sketch spell working as a clerk for the Hong Kong and instill bank he accompanied The London School of Art. In 1909 he returned to Japan to teach etching which he had himself learnt from Frank Brangwyn, and mend there marry for the source time. After ten courses of breeding in the vitamin E - both Japan and china - he met Hamada. The followers social class they both came to England and set up the foray clayware at St Ives. The years between the wars were dangerous for despoil; he dog-ti blushing(a) much time re-building kilns, experimenting with materials, locomotion - notwithstanding non achieving much censorious or financial success. It was not until after the Second humans War, and the publication of his send-off book, A Potters Book, that he became blanket(a)ly recognized as a master in his field. He continued to potbelly stove until 1972, but did not exploit his ceaseless traveling. The Victoria and Albert Museum in London held an exhibition the beauteous art of Bernard unclothe in 1977, and in 1979 he died. In 1920 Leach and Hamada do the journey half-way round the world to set up a muck aroundy at St Ives in Cornwall. St Ives had long been an artists habituation and the muck aroundy was built with the fear of a grant from the Handicrafts Guild. The first kiln, which was wood-fired, was do with three go up chambers, each sextette feet high, six feet wide and four feet deep. This...

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