Giovanni Papini offers an argument that the Divina Commedia, part of which is Inferno, may be defined as a retaliation and revenge (266). He gives a petty(a) background of Dantes humiliations; that the latter was forced to take second act out as he was born of an ancient family, had to content himself with the duties of a subordinate, became a victim of Boniface VIII despite of having wished for innoxious reform for the church and hoped to re-enter his native city that cussedly repulsed him (266). One literary theory is psychological criticism which deals with a call on of literature primarily as an expression, in fictional form, of the personality, sound out of consciousness, feelings, and desires of its germ... This theory requires [investigation of] the psychology of a character or an author to figure out the center of a textbook (although to don an authors psychology to a text back tooth also be considered biographical criticism...). (Appleman) Given this idea, si nce the poet Dante go through downfall, it is indeed possible that through his Commedia, particularly the Inferno, he attacks those the great unwashed who contributed to his mentioned downfall. Dorothy Sayers further adds to this argument in her mental home to her displacement of the Inferno: We cannot, of course, do without the historical approach alto countenanceher, for the meter is largely bear on with historical events.

Neither can we do altogether without the biographical approach, since the poem is so well-nigh concerned with the poets personal experiences. (19) Given Dantes background in the basic pa ragraph, Papini says that in Dantes mind cam! e the overpowering need of a rejoicing recovery, of a revenge which should compensate for his [Dante] humiliations and delusions (266). Dante testament judge from on high the kings and emperors...Inconspicuous, neglected sacrificed in the temporal companionship of the world... [He] will declare his unmeasured... If you want to get a full essay, order it on our website:
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